Archive for the ‘Instrumental’ Category

Rony Barrak & Michel Fadel - Karizma [Chillout - Dance] روني براك و ميشيل فاضل - كاريزما

Rony Barrak: percussion

Rony Barrak is a Lebanese percussionist popularly known for his skill in Darbouka performance.

Rony is regarded as one of the greatest darbouka players in the world. His finger speed and rhythmic accuracy allow him to emulate even the sound of rapid snare drum rolls with his fingers alone.

Rony held his Darbouka at the tender age of four and began playing it intuitively. At the age of seventeen, he surged into the world of music by winning the Golden Medal at a televised competition for young talented musicians in Lebanon and the Middle East, this achievement gave him the chance to unleash the Darbouka from the chains of its long standing traditional context.

He has been involved (recording and performing) with great international figures such as Jaz Colman, Vanessa Mae, bond, Talvin Singh, Don Grusin, Dave Grusin, Antonio Forcione, Alex Acuna, Abraham Laboriel, Fairuz,and a world tour with Sarah Brightman “REM” in 2004.

Blending the Middle Eastern traditional music and the Western flavors, he became a versatile percussionist gaining his appeal as one of the world’s leading Darbouka players, he produced his own Debut Album entitled ARAMBA in 1999 followed by KARIZMA, his second Album, in 2003. His new CD is a growing project in process under a continuous evolution in Darbouka.

Rony Barrak on Facebook

Rony Barrak

Michel Fadel: piano

Michel Fadel on Facebook

Michel Fadel2


1 – The Crossing (03:57)
2 – Beirut Fever (04:55)
3 – Serenia (03:23)
4 – Ya Laure 7obboky (02:39)
5 – Across The Channel (04:36)
6 – Elissa (04:17)
7 – Zajal (05:38)
8 – London Paris London (03:40)
9 – Wild Wild East (04:05)

Duration : 37:05 | Bitarte : 192 kBit/s | Year : 2005 | Size : 55 mb

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Ahmad Al-Khatib - 2005 - Sada

Ahmad Al-Khatib is a rising star as an Oud soloist, specialising in the modern Iraqi school of Oud performance. Ahmad was born in Jordan to Palestinian refugee parents. He started to play Oud at an early age, and later studied music and cello playing at Al-Yarmouk University in Jordan where he graduated with honors in 1997. In 1998, Ahmad came back to his homeland, Palestine. He was instrumental in developing the Oriental music Department at the Edward Said National Conservatory of Music (ESNCM), later heading it until August 2002, when he was forced to leave Palestine. Ahmad continues to work for the ESNCM, liaising between Palestine and other music conservatories in the Arab world. At present he lives in Sweden, where he is performing recitals and undertaking a Masters in  Ethnomusicology at the University of Gothenburg. Ahmad released his first solo CD, Sada, in 2004.

Ahmad al-khatib


01 – Furatayn (From Jerusalem to Bafhdad) (05:12)
02 – Hikaya Sharqiyya (Oriental Tale) (12:45)
حكاية شرقية
03 – Sada (Echo) (05:29)
04 – Al-Nil Al-Abyad (The White Nile) (09:24)
النيل الأبيض
05 – Sama’i Ghofran (04:39)
سماعي غفران
06 – Ghurbah (Diaspora) (07:11)
07 – Ta’ammul (Reflection) (09:10)
08 – Farahafaza (10:05)
09 – Nawa Athar Etude (01:36)
تمرين نوا أثر

Duration: 65:27 | Bitrate: 320 kBit/s | Year: 2005 | Size: 157 mb

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Djivan Gasparyan & Erkan Ogur - 2001 - Fuad

Before the heart, there was time. Then the miracle occured. The heart came into being. With the command, the beat began. The first blow and the substance shakes with “Fuad” the inital moment of life where movement is born.
“Fuad” is power, sound and rhthym. The heart begins life zealously, beating fast… Speeds up, slows down ; gets high, gets down. Desire, fear, love, joy, sorrow, music,ecstacy, shock, fatigue, attack, disease, halt and restart.

Then a signal to the substance, and comes the moment of ceascing… “”Fuad””. From the minute infinity to the magnanimous one, from nothing to being, “Fuad” commences the universe. There, neither the first nor the last can be defined. Absolute being is the sole reality. Before the heart, the moment of the heart, after the heart; this is the question. There are moments when the heart is broken, that’s the instance that break “Fuad”. The happiest moment of the heart is “Fuad”. It sees, hears, touches, tastes, smells, loves, discerns, feels with “Fuad”. And we think with “Fuad”.

The talent we have and the talents we can never discover are “Fuad”. Logic is formed at the heart, and might be cruel or loving as granted. “Fuad” is in the service of matter, whether human or not, known or unknown, and whether will be discovered, be it living or non-living. Yearning for “Fuad” is a gift to the dreams of humanity.


Erkan Ogur

Erkan Oğur (born 1954) is a Turkish musician. A pioneer of fretless guitars, he invented the first fretless classical guitar in 1976. A composer, he has influenced many musicians with his compositions combining the sounds of Turkish folk music, classical music with the ancient traditional music. He has played many concerts all over the world. He is regarded as a master of the kopuz and bağlama lutes.

Djivan Gasparyan_600

Djivan Gasparyan (born 1928) is an Armenian musician and composer. He plays duduk, an Armenian double reed woodwind instrument related to the orchestral oboe. Gasparyan is widely known as the Master of the duduk.


01 – Yemen (08:39)
02 – Siresi Yarisdaran (09:10)
03 – Volor Molor (09:35)
04 – Yes Pucur Yaris Pucur (01:48)
05 – Fuad (06:36)
06 – Perde Kalkti (06:11)
07 – Siyah Perçemlerin Gonca Yüzlerin (04:42)
08 – Mayrig (07:44)
09 – Lorik (02:47)
10 – Dönüs Yolu (02:14)

Duration: 57:14 | Bitrate: 320 kBit/s | Year: 2001 | Size: 142 MB

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Carlos Libedinsky - 2006 - Narcotango 2

Album: Narcotango 2
Artist: Carlos Libedinsky
Country: Argentina



01 – Esa (03:11)
02 – Dos (03:32)
03 – Tres son multitud (03:10)
04 – El aire en mis manos (03:43)
05 – Esta noche (04:19)
06 – Sarasa (03:19)
07 – Solo por hoy (03:13)
08 – El dнa despues (04:06)
09 – Rescate (05:01)
10 – gente que si (09:26)

Duration: 38: 51 | Bitrate: 320 kBit/s | Year: 2006 | Size: 103 MB

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Carlos Libedinsky - 2002 - Narcotango

Carlos Libedinsky is an Argentine musician, composer and producer. He is most renowned for his neo-tango project, Narcotango.

Before tango, Libedinsky transited through different genres, such as rock, pop, blues, medieval and renaissance music. In 1992, he founded the duet Los Mareados, where he was also a composer.

Since 1986, he is the director of Tademus, a music school in Buenos Aires.

As Narcotango, he made European tours in 2003, 2005 and 2007.


01 – Vi Luz Y Subi (03:17)
02 – Plano Secuencia (04:12)
03 – Otra Luna (03:43)
04 – Un Paso Mas Alla (06:50)
05 – Toma Y Daca (03:41)
06 – Mi Buenos Aires Queri… (Basado En El Tango De Gardel Y Lepera) (03:12)
07 – Mejor Asi (03:54)
08 – La Tropilla De La Zurda (04:51)
09 – Trancetango (Basado En El Tango ‘Duo De Amor’ De Piazolla) (03:33)
10 – Doble O Nada (04:01)
11 – Que Onda? (03:15)
12 – Humo (03:30)

Duration: 47: 59 | Bitrate: 320 kBit/s | Year: 2002 | Size: 116 MB

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