"أسفار" الثلاثي جبران : دوران حول الذات والكون.

"أسفار" هي الأسطوانة الخامسة للثلاثي سمير ووسام وعدنان جبران بعد "رندنة" و"مجاز" و"في ظل الكلام" وموسيقى فيلم"التحليق الأخير".

اختارالفريق صالة باريسية كبرى هي مسرح الشانزيليزيه في الرابع من نيسان لتقديم جديدهم قبل أن ينتقل إلى مدن فرنسية وأوروبية وأمريكية وبعد الحفلات الفلسطينية في بداية آذار، فالثلاثي يصر دائما على منحها الأولوية.

بعد عامين من التحضير والمخاض العسير تخلله حفلات أسطوانة "في ظل الكلام" تكريما للراحل محمود دريش الحاضر بصوته، رأت أسطوانة "أسفار" النور منطلقة من مقطوعة نوّار التي تفتتح الألبوم تماما كما نستقبل صباحنا المتمّم لما سبق والمكمّل لما سيأتي.

المفاجأة كانت  باستضافة صوت حميم لمبدع آخر ليس إلا الموسيقي التونسي العالمي ظافر يوسف في مقطوعتي "زواج اليمام" و"دجى" مع كل ما يحمل من نفحات صوفية  نقلنا بعدها الثلاثي إلى "سما قرطبا" العزيزة على قلب عدنان كما هي الهند عزيزة على قلب وسام. أما جملة "أسفار" الموسيقية المسجلة مرة واحدة في الأستديو من دون تدريبات مسبقة فتأخذ حيزا مهما من الأسطوانة تماما كما أخذت الأسفار من حياتهم في السنوات الأخيرة لينتهي الألبوم بمقطوعة "مسانا" وبالعودة إلى نقطة الانطلاق ليكتمل الدوران،  والى الأصل كانتماء للمكان وللموسيقى الشرقية. الإيقاع للفنان يوسف حبيش الذي يرافق ثلاثي جبران منذ أسطوانة "مجاز" وقام هذه المرة بالتوزيع الموسيقي.
لم يعد العود هنا هو الموضوع الأساسي بل هي الموسيقى والتحاور مع النفس ومع الآخرفي حركة وثبات معا.

المصدر

Le Trio Joubran, three brothers descending from a family of « Oud » makers and players since four generations… the grand grand-father, the grand-father, the father and now, Samir, Wissam and Adnan have transformed this instrument into a passion, a skill, a life…

Their mastery of « Oud » is singular and so are the harmony and the synchronization that they perform all over the world, before different publics united by the Trio’s authenticity and excellence.

The percussion is performed by the master Youssef Hbeisch who enriches the Trio’s compositions by enchanting rhythms and notes.

Le Trio Joubran, three brothers from Palestine, musicians sought after worldwide, are progressing in their art thanks to a big amount of individual and collective effort and to the deep love and respect of music and public.

http://www.letriojoubran.com

Muscians:

• Samir Joubran, oud
• Wissam Joubran, oud
• Adnan Joubran, oud
• Youssef Hbeisch, percussion
• Dhafer Youssef, voice

Tracklist:

1. Nawwâr (04:40) نوّار
2. Zawâj El Yamâm (05:52) زواج اليمام
3. Dawwâr El Shams (04:49) دوّار الشمس
4. Douja (06:26) دجى
5. Sama Cordoba (04:36) سما قرطبة
6. AsFâr (15:03) أسفار
7. Masâna (08:45) مسانا

Duration : 50:08 | Bitarte : 320 kBit/s | Year : 2011 | Size : 120 mb

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Tags: AsFar, Dhafer Youssef, download, Le Trio Joubran, oud, أسفار, الثلاثي جبران, سراج, سراج على سراج, سمير جبران, ظافر يوسف, عدنان جبران, عود, وسام جبران, يوسف حبيش

Laço Tayfa is a Turkish musical ensemble led by clarinetist Hüsnü Şenlendirici. They combine Turkish folk music with jazz, improvisational styles, and other traditions of world music (including Indian, North African, and Middle Eastern styles).

Musicians:

• Hüsnü Şenlendirici Clarinet
• Nurhat Şensesli Bass guitar
• Volkan Öktem Drums
• Mehmet Akatay Percussion
• Nuri Lekesizgöz Kanun
• Ergun Hepbildik Violin
• Özkan Alıcı Bağlama
• Caner Tepecik Keyboard

Track List:

1. Fidayda (04:50)
2. Onbeşli (03:50)
3. Çiftetelli (05:30)
4. Bazalika (03:31)
5. Harmandali (07:10)
6. Malatya (02:40)
7. Ay Gız (06:34)
8. Bergama Gaydasi (03:43)
9. Izmir’in Kavaklari (07:38)
10. Ramize (Deryalar) (03:23)
11. Gökte Yildiz Ay musun – Tabancamin Sapi (02:21)

Length : 51:09 | Bitarte : 320 kBit/s | Year : 2000 | Size : 98 mb

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Hüsnü Şenlendirici – 2005 – Hüsn-ü Klarnet (The Joy of the Clarinet)

Laço Tayfa – 2002 – Hicaz Dolap

Tags: bağlama, Caner Tepecik, Clarinet, download, Ergun Hepbildik, Husnu, Hüsnü Şenlendirici, Instrumental, Laço Tayfa, Mehmet Akatay, mp3, Nurhat Şensesli, Nuri Lekesizgöz, Özkan Alıcı, Qanun, Turkey, Volkan Öktem, تحميل, تركي, تركية, تنزيل, سراج, سراج على سراج, عزف, كلارنت, كلارنت تركي, كلارينت, موسيقا

The clarinet – intense, soaring, yearning. And no one plays it quite like Hüsnü Şenlendirici, whose gypsy name means “the one who brings joy”. This is music that, long before we started to use the word chillout, soothed troubled gypsy souls in the twilight with its plaintive song; this is music that expresses hopes and yearnings; this is music that today fills the evening streets of old Istanbul with its evocative and enticing sounds.

Brought to Turkey from Europe, the clarinet’s expressive qualities soon found a home amongst classical and gypsy musicians. Playing snaking eastern melodies with lavish ornamentation or wild improvisations against complex drummed rhythms and with a sound so close to the human voice, the clarinet has become a much-loved part of Turkish musical culture. The clarinet on this CD is no less than the voice of one of Turkey’s great musicians Hüsnü Şenlendirici, and is at the same time his dear friend and his passion.

Hüsnü Şenlendirici was born on 12 July 1976, in Bergama, a small town in the Aegean region. Coming from a family deeply rooted in musical traditions (his grandfather, Hüsnü Şenlendirici, used to play the clarinet and trumpet; his other grandfather, Fahrettin Kofeci, the clarinet; and his recently deceased father, Ergun Senlendirici, the trumpet), he immediately became fascinated by music and started playing the clarinet when he was only five. After taking off to a musical journey where he was introduced to various cultures in Anatolia, and particularly to his Aegean homeland musical traditions. He attended the Turkish Music State Conservatory at Istanbul Technical University in 1988 to study music. But Senlendirici didn’t spend much time there and dropped out after 4 years of education.

In those years, he started playing with the famous Magnetic Band, a band put together by the master percussionist Okay Temiz, appearing in hundreds of festivals and becoming a musical ambassador of his country. He took part in the recordings of internationally known band, Embrio and went on tours together. In the meantime, he performed in outstanding festivals abroad with his father’s sextet, Laco. After quitting school, he accompanied various leading Turkish artists both on stage and during recordings. He played with distinguished Turkish musicians and bands including Ozdemir Erdogan, Muazzez Abaci, Bulent Ersoy, Muslum Gurses, Kibariye, Fatih Kisaparmak, Zara, Kubat, Kayahan, Seda Sayan, Emel Sayin, Adnan Senses, Zerrin Ozer, Cengiz Kurtoglu, Candan Ercetin, Fatih Erkoc, Serdar Ortac, Athena, Izel, Ayna, Hande Yener, Hasan Cihat Orter, Ilhan Ersahin, Mercan Dede and many others.

Following a proposal he received from Pozitif while still serving in the military, Senlendirici formed his present band, Laco Tayfa and collaborated with the famous American ensemble, Brooklyn Funk Essentials, for an album and a concert project. The resulting album, “In the Buzbag”, was highly acclaimed by critics. Right after this success, the group originally consisting of 13 members was reduced to an octette and their first solo album “Bergama Gaydasi” was released in 2000 by Doublemoon Records. This album was also published worldwide by the famous ethnic music record company, Traditional Crossroads. Then came a series of concerts, both at home and abroad.

Hüsnü Şenlendirici also founded a quintet called “Husnu Senlendirici and Friends” in order to carry Turkish music to wider audiences. He performed in numerous concerts with both of his groups within and outside Turkey. These included concerts like EXPO-2001 in Germany, supported by the Turkish Ministry of Tourism; New York, Central Park concert within the framework of Mayfest festival 2002; and the concerts he gave, in July 2002, with his 35 member Laco Tayfa Big Band during Istanbul Jazz Festival…

In the meanwhile, Senlendirici and his group Laco Tayfa released his new album “Hicaz Dolap” in October 2002. He also composed and arranged the tracks of a TV serial still being shot by Yavuz Turgul and Mustafa Oguz.

Hüsnü Şenlendirici accompanied Kubat and Belkis Akkale within the framework of “Anatolian Sun” which was financed by the Turkish Prime Ministry Promotion Fund and the Ministry of Culture. He also performed at the St. Irene Museum together with the Cemal Resit Rey and the Adana Symphony orchestras. In July 2004,  Husnu Senlendirici has performed at Cemil Topuzlu Open Air Theatre with Laco Tayfa & Vassilis Saleas.

Musicians:

• Hüsnü Şenlendirici – Clarinet, Trumpet, Zurna, Keyboard, Turk Hung Drum
• Gültekin Kaçar – Elektric guitar
• Orhan Şallıel – Piano
• Erdinç Şenyaylar – Elektric guitar
• İsmail Tunçbilek – Baglama
• Serhan Yasdıman – Jazz guitar
• Ozan Musluoğlu – Kontrbass
• Gündem Stringed Groups – Stringed Music İnstrument
• Umut Sel – Kontrbass
• Ceyhun Çelikten – Keyboard, akordeon
• Murat Aydemir – Tanbur
• Tarık Ceran – Nature Sound
• Orhan Osman – Buzuki
• Cem Bergamalı – Turk Hang Drum
• Aytaç Doğan – Kanun
• Mehmet Akatay – Percussion
• Nuri Lekesizgöz – Kanun
• Hasan Gözetlik – Trombone
• Yıldıray Güz – Ud

Track List:

1. Oyun Havası/Dance Mood (04:26)
2. Çiğ/Avalianche (04:39)
3. Fla-Mango/Fla-Mango (03:56)
4. İstanbul İstanbul Olalı/Since Istanbul Has Been (04:52)
5. Şina Narı (03:12)
6. Leylim Ley (04:37)
7. Bülbülüm Altın Kafeste/My Golden-Caged Nightingale (06:08)
8. Kumsalda/On the Shore (04:50)
9. Kimseye Etmem Şikayet/I Won’t Complain (04:16)
10. Tatlı Dillim/Sweet Talker (05:00)
11. Dört Zeybek/Four Zeybek (06:08)

Length : 52:04 | Bitarte : 320 kBit/s | Year : 2005 | Size : 114 mb

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Laço Tayfa – 2002 – Hicaz Dolap

Tags: Aytaç Doğan, bağlama, bouzouk, Cem Bergamalı, Ceyhun Çelikten, Clarinet, download, Erdinç Şenyaylar, Gültekin Kaçar, Gündem Stringed Groups, Hasan Gözetlik, Hüsn-ü Klarnet, Husnu, Hüsnü Şenlendirici, Hüsnü Şenlendirici Hüsn-ü Klarnet, Instrumental, İsmail Tunçbilek, kanun, Mehmet Akatay, Murat Aydemir, Nuri Lekesizgöz, Orhan Osman, Orhan Şallıel, Ozan Musluoğlu, Serhan Yasdıman, Tarık Ceran, The Joy of the Clarinet, Turkey, Umut Sel, Yıldıray Güz, تركي, حسنو, حسنو التركي, حسنو سنليندرسي, سراج, سراج على سراج, فرح الكلارينت, كلارنت, كلارنت تركي, كلارنت حسنو, كلارينت, موسيقا تركية

Deva and Miten’s music is an expression of spiritual devotion, through song and chant. The couple have been living and playing together since 1991, releasing a string of acclaimed CDs along the way. The openness and honesty in which they share their lives and their music has touched the hearts of thousands of seekers throughout the world.

Deva Premal and Miten met in India in 1990 and soon began a journey into love and creativity that has taken their inspiring blend of song, mantra and meditation to a worldwide audience. They have released a string of acclaimed CDs with international sales of nearly one million, and their concerts and ecstatic chant workshops are met with rave reviews throughout Europe, Australia, South America, Canada and the United States.

Their music transcends all the usual musical boundaries, with fans including rock icon Cher, who featured one of Deva’s most popular chants, the Gayatri Mantra, on her Farewell Concert Tour; world renowned author and motivational coach Tony Robbins, and even His Holiness The Dalai Lama who, after hearing Deva & Miten sing for a private audience, exclaimed, “Beautiful music, beautiful…!” Best selling author Eckhart Tolle notes:
“As you listen to the music of Deva and Miten, the sacred space that lies beyond the mind emerges naturally and effortlessly. Pure magic.”

German-born Deva Premal is a classically trained musician who grew up singing mantras as bedtime songs. Her mother plays viola da gamba and her father was an artist and a devotee of the spiritual path, including Zen and Yoga. He taught himself Sanskrit and Deva notes that “When my mother was pregnant with me, their welcome was to sing the Gayatri Mantra throughout the pregnancy.

“As I grew up we continued to chant the Gayatri Mantra together regularly before sleep. I didn’t really know what I was singing… and why. I just did it because I was told to. It wasn’t until much later that I came to appreciate these precious times.”

As a teenager, she moved away from the confines of both her classical music training in voice, violin and piano, and the mantra practice, and began to explore on her own. At age 11, her search brought her to become a disciple of the enlightened mystic Osho, and later, she went to the ashram in India to begin studies in body work, including massage, shiatsu and cranio-sacral therapies.

It was in Osho’s ashram that she and Miten met.

“Although I was 20 years old and he was 42, our hearts immediately connected,” she says. “I knew he was one of Osho’s musicians, but that was about all I knew–apart from the fact that I felt good whenever we were together. We laughed a lot… and still do. He writes the most beautiful songs, some of which I knew from the ashram celebrations.”

Miten was born in London and grew up in the 60′s.

“At that time, England was alive with rock ‘n’ roll music and the sound of The Beatles,” he recalls. “Everywhere you went it was on the street. It was a time of innocence, a time when you could sense the possibility that life has no boundaries.”

He later went on to establish a successful career for himself in the 70′s as a singer/songwriter, touring with such bands as Fleetwood Mac, Lou Reed and Ry Cooder. During this time he released two well-received albums, one produced by The Kinks, another by noted Los Angeles producer Bones Howe for Ariola Records. This period of his life was exciting, but left him unfulfilled:

“I had a couple of album deals, and moved into writing music for other people, then radio and TV work, then eventually found myself in my 30′s asking questions — I was looking for something more substantial in my life than the usual diet of sex, drugs and rock and roll.”

Miten left everything he had known before, even selling his guitars, and after discovering Osho when a friend gave him a book on Zen, dropped out of his career and into a life as a member of a meditation community. Here he found a new approach to music:

“It was an amazing revelation. I wasn’t prepared for the healing power of the music that was happening around Osho. This turned my head to what real sacred music was – even though it was western in style, it still had the most uplifting and spiritual nature, especially the ‘Music Groups’ and the Sufi dances. I was hooked on Sufi dance and never missed an opportunity to participate. All this music, along with a life of communal integration, deeper relating, and Osho’s discourses and meditations, healed me from whatever wounds I’d been carrying around music, and life in general.”

Track List:
1. Om Purnam
2. Guru Rinpoche Mantra
3. Ide Were Were
4. Om Shree Sache
5. Eyes / Ocean
6. Pure Love / Whole Lotta Shakin`
7. So Much Magnificence
8. Gayatri Mantra
9. Brahma Nandam
10. Ashes To Ashes
11. Range De
12. Aad Guray

PAL 4:3 (720×576) VBR | English (Dolby AC3, 2 ch), English (Dolby AC3, 6 ch) | 3.4 GB

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Tags: Buddha, Chanting, Deva Premal and Miten, download, dvd, Healing Music, Mantra, Meditation, New Age, تحميل, تنزيل, سراج, سراج على سراج