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Hüsnü Şenlendirici – 2005 - Hüsn-ü Klarnet (The Joy of the Clarinet)

The clarinet – intense, soaring, yearning. And no one plays it quite like Hüsnü Şenlendirici, whose gypsy name means “the one who brings joy”. This is music that, long before we started to use the word chillout, soothed troubled gypsy souls in the twilight with its plaintive song; this is music that expresses hopes and yearnings; this is music that today fills the evening streets of old Istanbul with its evocative and enticing sounds.

Brought to Turkey from Europe, the clarinet’s expressive qualities soon found a home amongst classical and gypsy musicians. Playing snaking eastern melodies with lavish ornamentation or wild improvisations against complex drummed rhythms and with a sound so close to the human voice, the clarinet has become a much-loved part of Turkish musical culture. The clarinet on this CD is no less than the voice of one of Turkey’s great musicians Hüsnü Şenlendirici, and is at the same time his dear friend and his passion.

Hüsnü Şenlendirici حسنو سنليندرسي

Hüsnü Şenlendirici was born on 12 July 1976, in Bergama, a small town in the Aegean region. Coming from a family deeply rooted in musical traditions (his grandfather, Hüsnü Şenlendirici, used to play the clarinet and trumpet; his other grandfather, Fahrettin Kofeci, the clarinet; and his recently deceased father, Ergun Senlendirici, the trumpet), he immediately became fascinated by music and started playing the clarinet when he was only five. After taking off to a musical journey where he was introduced to various cultures in Anatolia, and particularly to his Aegean homeland musical traditions. He attended the Turkish Music State Conservatory at Istanbul Technical University in 1988 to study music. But Senlendirici didn’t spend much time there and dropped out after 4 years of education.

In those years, he started playing with the famous Magnetic Band, a band put together by the master percussionist Okay Temiz, appearing in hundreds of festivals and becoming a musical ambassador of his country. He took part in the recordings of internationally known band, Embrio and went on tours together. In the meantime, he performed in outstanding festivals abroad with his father’s sextet, Laco. After quitting school, he accompanied various leading Turkish artists both on stage and during recordings. He played with distinguished Turkish musicians and bands including Ozdemir Erdogan, Muazzez Abaci, Bulent Ersoy, Muslum Gurses, Kibariye, Fatih Kisaparmak, Zara, Kubat, Kayahan, Seda Sayan, Emel Sayin, Adnan Senses, Zerrin Ozer, Cengiz Kurtoglu, Candan Ercetin, Fatih Erkoc, Serdar Ortac, Athena, Izel, Ayna, Hande Yener, Hasan Cihat Orter, Ilhan Ersahin, Mercan Dede and many others.

Following a proposal he received from Pozitif while still serving in the military, Senlendirici formed his present band, Laco Tayfa and collaborated with the famous American ensemble, Brooklyn Funk Essentials, for an album and a concert project. The resulting album, “In the Buzbag”, was highly acclaimed by critics. Right after this success, the group originally consisting of 13 members was reduced to an octette and their first solo album “Bergama Gaydasi” was released in 2000 by Doublemoon Records. This album was also published worldwide by the famous ethnic music record company, Traditional Crossroads. Then came a series of concerts, both at home and abroad.

Hüsnü Şenlendirici also founded a quintet called “Husnu Senlendirici and Friends” in order to carry Turkish music to wider audiences. He performed in numerous concerts with both of his groups within and outside Turkey. These included concerts like EXPO-2001 in Germany, supported by the Turkish Ministry of Tourism; New York, Central Park concert within the framework of Mayfest festival 2002; and the concerts he gave, in July 2002, with his 35 member Laco Tayfa Big Band during Istanbul Jazz Festival…

In the meanwhile, Senlendirici and his group Laco Tayfa released his new album “Hicaz Dolap” in October 2002. He also composed and arranged the tracks of a TV serial still being shot by Yavuz Turgul and Mustafa Oguz.

Hüsnü Şenlendirici accompanied Kubat and Belkis Akkale within the framework of “Anatolian Sun” which was financed by the Turkish Prime Ministry Promotion Fund and the Ministry of Culture. He also performed at the St. Irene Museum together with the Cemal Resit Rey and the Adana Symphony orchestras. In July 2004,  Husnu Senlendirici has performed at Cemil Topuzlu Open Air Theatre with Laco Tayfa & Vassilis Saleas.

Musicians:

  • Hüsnü Şenlendirici – Clarinet, Trumpet, Zurna, Keyboard, Turk Hung Drum
  • Gültekin Kaçar – Elektric guitar
  • Orhan Şallıel – Piano
  • Erdinç Şenyaylar – Elektric guitar
  • İsmail Tunçbilek – Baglama
  • Serhan Yasdıman – Jazz guitar
  • Ozan Musluoğlu – Kontrbass
  • Gündem Stringed Groups – Stringed Music İnstrument
  • Umut Sel – Kontrbass
  • Ceyhun Çelikten – Keyboard, akordeon
  • Murat Aydemir – Tanbur
  • Tarık Ceran – Nature Sound
  • Orhan Osman – Buzuki
  • Cem Bergamalı – Turk Hang Drum
  • Aytaç Doğan – Kanun
  • Mehmet Akatay – Percussion
  • Nuri Lekesizgöz – Kanun
  • Hasan Gözetlik – Trombone
  • Yıldıray Güz – Ud

Track List:

  1. Oyun Havası/Dance Mood (04:26)
  2. Çiğ/Avalianche (04:39)
  3. Fla-Mango/Fla-Mango (03:56)
  4. İstanbul İstanbul Olalı/Since Istanbul Has Been (04:52)
  5. Şina Narı (03:12)
  6. Leylim Ley (04:37)
  7. Bülbülüm Altın Kafeste/My Golden-Caged Nightingale (06:08)
  8. Kumsalda/On the Shore (04:50)
  9. Kimseye Etmem Şikayet/I Won’t Complain (04:16)
  10. Tatlı Dillim/Sweet Talker (05:00)
  11. Dört Zeybek/Four Zeybek (06:08)

Length : 52:04 | Bitarte : 320 kBit/s | Year : 2005 | Size : 114 mb

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Laço Tayfa – 2002 – Hicaz Dolap

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Deva Premal & Miten - 2005 - Live in Byron Bay DVD

Deva and Miten’s music is an expression of spiritual devotion, through song and chant. The couple have been living and playing together since 1991, releasing a string of acclaimed CDs along the way. The openness and honesty in which they share their lives and their music has touched the hearts of thousands of seekers throughout the world.

Deva Premal & Miten

Deva Premal and Miten met in India in 1990 and soon began a journey into love and creativity that has taken their inspiring blend of song, mantra and meditation to a worldwide audience. They have released a string of acclaimed CDs with international sales of nearly one million, and their concerts and ecstatic chant workshops are met with rave reviews throughout Europe, Australia, South America, Canada and the United States.

Their music transcends all the usual musical boundaries, with fans including rock icon Cher, who featured one of Deva’s most popular chants, the Gayatri Mantra, on her Farewell Concert Tour; world renowned author and motivational coach Tony Robbins, and even His Holiness The Dalai Lama who, after hearing Deva & Miten sing for a private audience, exclaimed, “Beautiful music, beautiful…!” Best selling author Eckhart Tolle notes:
“As you listen to the music of Deva and Miten, the sacred space that lies beyond the mind emerges naturally and effortlessly. Pure magic.”

German-born Deva Premal is a classically trained musician who grew up singing mantras as bedtime songs. Her mother plays viola da gamba and her father was an artist and a devotee of the spiritual path, including Zen and Yoga. He taught himself Sanskrit and Deva notes that “When my mother was pregnant with me, their welcome was to sing the Gayatri Mantra throughout the pregnancy.

“As I grew up we continued to chant the Gayatri Mantra together regularly before sleep. I didn’t really know what I was singing… and why. I just did it because I was told to. It wasn’t until much later that I came to appreciate these precious times.”

As a teenager, she moved away from the confines of both her classical music training in voice, violin and piano, and the mantra practice, and began to explore on her own. At age 11, her search brought her to become a disciple of the enlightened mystic Osho, and later, she went to the ashram in India to begin studies in body work, including massage, shiatsu and cranio-sacral therapies.

It was in Osho’s ashram that she and Miten met.

“Although I was 20 years old and he was 42, our hearts immediately connected,” she says. “I knew he was one of Osho’s musicians, but that was about all I knew–apart from the fact that I felt good whenever we were together. We laughed a lot… and still do. He writes the most beautiful songs, some of which I knew from the ashram celebrations.”

Miten was born in London and grew up in the 60′s.

“At that time, England was alive with rock ‘n’ roll music and the sound of The Beatles,” he recalls. “Everywhere you went it was on the street. It was a time of innocence, a time when you could sense the possibility that life has no boundaries.”

He later went on to establish a successful career for himself in the 70′s as a singer/songwriter, touring with such bands as Fleetwood Mac, Lou Reed and Ry Cooder. During this time he released two well-received albums, one produced by The Kinks, another by noted Los Angeles producer Bones Howe for Ariola Records. This period of his life was exciting, but left him unfulfilled:

“I had a couple of album deals, and moved into writing music for other people, then radio and TV work, then eventually found myself in my 30′s asking questions — I was looking for something more substantial in my life than the usual diet of sex, drugs and rock and roll.”

Miten left everything he had known before, even selling his guitars, and after discovering Osho when a friend gave him a book on Zen, dropped out of his career and into a life as a member of a meditation community. Here he found a new approach to music:

“It was an amazing revelation. I wasn’t prepared for the healing power of the music that was happening around Osho. This turned my head to what real sacred music was – even though it was western in style, it still had the most uplifting and spiritual nature, especially the ‘Music Groups’ and the Sufi dances. I was hooked on Sufi dance and never missed an opportunity to participate. All this music, along with a life of communal integration, deeper relating, and Osho’s discourses and meditations, healed me from whatever wounds I’d been carrying around music, and life in general.”

Track List:
1. Om Purnam
2. Guru Rinpoche Mantra
3. Ide Were Were
4. Om Shree Sache
5. Eyes / Ocean
6. Pure Love / Whole Lotta Shakin`
7. So Much Magnificence
8. Gayatri Mantra
9. Brahma Nandam
10. Ashes To Ashes
11. Range De
12. Aad Guray

PAL 4:3 (720×576) VBR | English (Dolby AC3, 2 ch), English (Dolby AC3, 6 ch) | 3.4 GB

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Munir Bashir - Omar Bashir - 1998 - Duo De Ud

Munir Bashir was one of the most famous musicians in the Middle East during the 20th century and was considered to be the supreme master of the Arab maqamat scale system. He created different styles of the Arabian short scaled lute, the oud. He was one of the first middle eastern instrumentalists known to Europe and America. Bashir’s music is distinguished by a novel style of improvisation that reflects his study of Indian and European tonal art in addition to oriental forms. Munir Although he was an ethnic Assyrian Bashir played a big role in Arab culture throughout the 20th century. Born in Iraq, he had to deal with numerous disruptions of violent coup attempts and multiple wars that the country went through. He would eventually exile to Europe and become noticeable first in eastern nations such as Hungary and Bulgaria.

Omar Bashir: An incredible talent, raised in a family of artists – his grandfather Bachri Abdel Aziz, his father Mounir Bashir and his uncle Jamil were musicians – he began his musical training when he was five years old, when his father gave him his first violin. When he was seven years old, he already frequented the Conservatory of Bagdad and when he was nine he gave his first solo concert. Moving to Hungary in 1991, the homeland of his mother, he studied piano, singing and direction of choir at the Liszt University. Since 1990 Omar Bashir has been playing the oud as a professional. Apart from solo tours he has realized a lot of concerts with his father Mounir, who’s great virtuosity represented a constant stimulus for the young artist.

Track List:
1 -  Fôg el-Nakhel (Above the Palm Trees) (12:43) فوق النخل
2 -  Pastâ Baghdadiyya [Popular Iraqi Tune] (08:06) بسطة بغدادية
3 -  Hanân (Tenderness) (12:43) حنان
4 -  Dabka (Iraqi Dance) (10:41) دبكة
5 -  Ishtâr (Assyrian-Babylonian Goddess of Fertility) (13:36) عشتار
6 -  Al-Amira Al-Andaluciyya (The Andalusian Princess)
(11:36) الأميرة الأندلسية

Duration : 69:22 | Bitarte : 320 kBit/s | Year : 1998 | Size : 165 mb

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7
Apr

Luay Rifai – 2009 – Vital

   Posted by: Ninorta    in Instrumental, Luay Rifai, Syria

Luay Rifai - 2009 - Vital

Born in the world’s oldest capital city of Damascus – Syria on August 13th 1982, Luay Rifai’s self-taught approach to the instrument of electric guitar, revealed high dexterity in original and cunning playing, bringing together his diverse passionate melodic licks and rhythms along with remarkable over the top shred-ability, emerging him as an outstanding upmost instrumental rock guitar virtuoso. Throughout the years, Luay Rifai has been part of numerous genre-specific online communities, participating in various collaboration projects with independent musicians around the globe.
Being a medical doctor further contributed his mind-set and very detail-oriented demeanor of always willing to go the extra mile to get the perfect take & feel he’s looking for. Coordinating both, music & medicine, reflects his well-rounded personality, as he thrives to establish where those two worlds collide.

Luay Rifai لؤي رفاعي

New album release is due (March 6th 2009); “Vital” is a concept album in the style of instrumental rock guitar, the album includes the track “Vital”; 36 min long concept instrumental piece split into 7 tracks, in addition to 5 stand-alone tracks.

The concept revolves around the miracle of being alive. A truly pulsating and dynamic, vibrant entity that is full of life, breathing, beating, with vivacious energy.
The dialogue is on how merely having organic material as it is will not be sufficient to manifest life, it requires something very “Vital” which is the non-organic “essence” or soul that runs through to connect all the different portions essential for the persistence of life. It’s the search between body & soul.
The musical counterpart to the concept is interpreted as the song being divided into several movements, each representing a fundamental element of a living entity. In addition to the “essence of living” which is signified by the main theme; a melodic run played in different modes, recurring in each separate component of the entire instrumental. Without the essence, every other part is only organic and devoid of life. Yet still, if it isn’t for each of the single organic constituents in every section, this very essence of living will also be lost.
The essence of living is thriving to unite with the body throughout the whole track; it emerges frequently as the melodic theme in various shapes in attempts to join different organs together. Although tough at first with seemingly distant parallel alignment, by the finale they form one in harmony, denoting in totality the vital existence of the miracle of living.

http://www.luay-rifai.com/

Track List:
1 -  Vital I-Nucleus
(04:14)
2 -  Vital II-Circulation (06:05)
3 -  Vital III-Pulse (04:24)
4 -  Vital IV-Intelligence (08:06)
5 -  Vital Vl-Breath (02:50)
6 -  Vital VI-Sentiment (04:48)
7 -  Vital VII-Essence (05:32)
8 -  Faithful Spirits (05:02)
9 -  Prelude For Glenn Gould (05:32)
10 -  Voodoo Frenzy (05:03)
11 -  Bloodshed (04:20)
12 -  Of Cold Dreams and A Mirror (10:27)

Duration: 68:20 | Bitrate: 320 kBit/s | Year: 2009 | Size: 166 mb

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if you like the album please buy it to support the Artist:
http://www.guitar9.com/vitallr.html
http://www.cdbaby.com/cd/luayrifai

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Abed Azrié - 1994 – Suerte عابد عازرية – 1994 - نصيب

عابد عازرية موسيقي سوري عالمي من مواليد مدينة حلب / سوريا عام 1945م. فنان وموسيقي عشق الفن وأبدع ، سافر إلى باريس منذ العام 1976 م واشتهر عالميا بمؤلفاته الموسيقية

مع صوت عابد عازريه نستمتع بسماع لغتنا الأم العربية الفخمة والغنية والمتجددة، التي اختزلت حيوات البشر لمئات ومئات من السنين نحتفي بها بصوته القوي الجهوري والمؤثر حين يمتزج الصوت بالموسيقا والفكروالشعروبتجارب فريدة لأشخاص استثنائيين عبروا التاريخ بعد أن تركوا بصماتهم على جدار قلوبنا ووعينا

يمزج عابد عازرية في «نصيب» ثلاث مجموعات من الآلات الموسيقية هي العربية والإسبانية والكلاسيكية الغربية لاستعادة الروح الأندلسية عبر نصوص من القرن الحادي عشر. العمل الذي قدّمه الموسيقي والمغني السوري في دار الأوبرا في دمشق ضمن فاعليات «دمشق عاصمة الثقافة العربية 2008» ثم في حلب ، يصبّ في اشتغالات عازرية على النص الصوفي. وإذا بصوته الرخيم يلامس الطقوس الشعائرية الشرقية في طواف معاصر يضع نصوص الحلاج وابن الفارض وعمر الخيام في مهب الحسيّة واشتعال الجسد نحو النشوة الطربية الخالصة.

من « نصيب» إلى «بين الرجا والتمني»، حلّق صوت عازرية في محاورات موسيقية تستعيد صدى المعجزة الأندلسية وذاكرة الروح الشرقية. وتنهض موسيقى عازرية على الإيقاع باستخدام الدف والمزهر، ويضيف البزق بعداً موسيقياً ساحراً إلى البناء الموسيقي للمقطوعات، جنباً إلى جنب مع الغيتار والأكورديون والكمان. هكذا يكسر عازرية ثوابت التقاليد الموسيقية بجمع ثلاث فرق موسيقية متعددة المشارب ويولفها بلمسة شخصية تعبّر عن روحه الهائمة بين حواري حلب وشوارع باريس حيث يقيم منذ ثلاثة عقود

TrackList:
01 – Suerte ( نصيب (04:26
02 – Entre esperanza y deseo ( بين الرجاء والتمنّي (05:19
03 – Entre tus manos ( ماحال قلبي لديك (06:11
04 – Vida y muerte ( حياة وموت (01:59
05 – Dano y alivio ( رفقاً ففي راحتيك (03:32
06 – Sabio amigo ( صاح (08:15
07 – Belleza ( الحسن (02:50
08 – Gacela ( ياغزال (06:20
09 – Grabado ( نقش (07:15
10 – Luna ( أيا قمراً (04:57
11 – Sol de suerte ( شمس السعد (01:47

Duration: 52:51 | Bitrate: 320 kBit/s | Year: 1994 | Size: 124 mb

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Abed Azrié – 1995 – Lapis Lazuli عابد عازرية – لازورد

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