Posts Tagged ‘Electric Oud’

Dhafer Youssef & Wolfgang Muthspiel - 2007 - GLOW

Although it’s a dual-leader album, in which oud player Dhafer Youssef‘s performance is at least as important as that of guitarist Wolfgang Muthspiel, one of Glow’s chief causes for celebration is Muthspiel’s on-form presence. After releasing the shimmeringly beautiful Bright Side (Material Records, 2006)—a little-known masterpiece which may yet take its place alongside such jazz guitar iconographs as Johnny Smith’s Moonlight In Vermont (Roulette, 1953, reissued 2004) and Wes Montgomery’s Incredible Jazz Guitar (Riverside, 1960)—Muthspiel’s project with drummer Brian Blade, Friendly Travelers (Material Records, 2007), was a disappointment, interesting in conception but not entirely convincing in execution.

Glow finds Muthspiel back in immaculate form as both guitarist and producer (significantly, the Blade album was a co-production while the Youssef is solely produced by Muthspiel). The disc reunites the Tunisian oud player and Austrian guitarist after a gap of six years following Muthspiel’s playing and composing collaboration on Youssef’s Electric Sufi (Enja, 2001). The album, Youssef’s breakthrough, was a thrilling, perfectly realized collision of traditional Maghrebi music, European jazz and a lively slab of dirty, visceral rock.

Wolfgang Muthspiel Dhafer Youssef ظافر يوسف

Glow inhabits similar territory, but with a broader, and perhaps deeper, emotional range. In large part this is down to Youssef’s singing, which Muthspiel, as producer, has coaxed to new expressive peaks. At times Youssef’s voice achieves the ecstatic intensity of the late Pakistani qawwali master Nusrat Fateh Ali Khan, at others it suggests the winsome vulnerability of the late electric troubadour Jeff Buckley. He sounds by turns beatific and scary, caressing and chilling, alternating lustrous tenor passages with tortured, almost weeping, falsetto. It’s an extraordinary performance.

Extraordinary, too, is the instrumental content and, again, comparisons with Electric Sufi are pertinent. The earlier album was recorded by a nine-piece, the new one by a quintet. The smaller line-up retains a trumpeter, with Tom Harrell replacing Markus Stockhausen, but makes more of the interaction between Youssef and Muthspiel. Both have an exquisite gift for melody, and an understanding of the power of silence, and both place every note with precision. It’s a commonplace to say such and such a musician "makes every note count," but Muthspiel, in particular, really does.

Glow uses electronic wizardry with a lighter touch than its predecessor, though textural post-production continues to be a feature of Muthspiel’s work. Alegre Correa replaces drummers Mino Cinelu and Will Calhoun, and works in intimate partnership with the young bassist Matthias Pichler (who debuted so brilliantly on Bright Side).

Some music has the ability to condense time, a smaller proportion stretches it. Glow, its every bar a micro-world of eventful creation, is amongst the latter.

allaboutjazz.com

Musicians:
Dhafer Youssef: voice, oud.
Wolfgang Muthspiel
: guitars, violin, programming.
Fender Rhodes
piano.
Tom Harrell: trumpet, flugelhorn.
Matthias Pichler: bass.
Alegre Correa
: drums, percussion.
Rebekka Bakken
: voice (9).

Track List:
1 – Mon Parfum
(02:58)
2 – Babylon (06:00)
3 – Sand Dance (04:47)
4 – Mein Versprechen (06:55)
5 – Etude #3 (05:06)
6 – Lamento (03:31)
7 – Maya (05:10)
8 – Emmerich (05:34)
9 – Cosmology (06:01)
10 – Rhapsodie (03:34)

Duration: 49:36 | Bitrate: 320 kBit/s | Year: 2007 | Size: 117 mb

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other Dhafer’s Albums on Suraj:

Dhafer Youssef – 2001 – Electric Sufi Dhafer Youssef – 2003 – Digital Prophecy Dhafer Youssef – 2010 – Abu Nawas Rhapsody Nguyên Lê & Paolo Fresu & Dhafer Youssef – 2006 – Homescape Dhafer youssef – Live at Cully Jazz Festival 2008 ظافر يوسف – مهرجان الجاز في مدينة كولي في سويسراAnna Maria Jopek – 2008 – Jo & Co

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DuOud - 2002 - Wild Serenade

DuOud are the latest North African sensation to prove that tradition and technology can mix and match to create a sound full of possibilities.

DuOud consist of two oud-playing Parisians who combine their North African heritage with the latest in Western technology. Jean-Pierre Smadja – already noted for the two albums he issued as Smadj on MELT 2000 – is Tunisian by birth and trained as a jazz musician and sound engineer. Mehdi Haddab was born in Algiers. He spent time in Burundi, Central Africa, before settling in Paris. He was a third of the Parisian based trio Ekova, who specialised in the sort of global-meets- electronic-fusion that thrives in Paris.

Jean-Pierre Smadja Smadj - Mehdi Haddab

‘I’d been playing oud for a long time and had started to experiment with electronics,’ says Mehdi. Smadj was creating electronic music for many years but he only recently started playing the oud. Once we sat down to make music together it turned out we complimented each other.’

‘We began to compose our own material,’ adds Smadj, ‘so we needed rhythms to support our improvisations – that’s when we decided to put electronic beats behind our rehearsals. With time we just got involved in compositions with electronics.’

The oud is one of the most beautiful instruments in the world, lending itself to Turkish, North African and Middle Eastern interpretation. Yet DuOud’s debut album, Wild Serenade (Label Bleu) takes the oud into a different context. With the electronic programming expertise of Smadj and the virtuoso performances of Mehdi Haddab, the oud is immediately brought into the 21st Century.

While DuOud are not the first musicians to mix the North African lute with electronic technology, they do it with an imaginative freedom that sets them apart from their contemporaries. DuOud never engage in the world fusion cliché of playing over a thudding house beat. Instead, they build a musical cycle that looks both to African roots while absorbing elements of contemporary French music – break beats, jazz grooves and metal guitar are all invited to join the party. Wild Serenade is an album of dialogues between two men and two cultures.

bbc.co.uk

Track List:
1 – Yarimo
(02:24)
2 – Racailles (03:34)
3 – Zanzibar (05:58)
4 – Interluth (01:42)
5 – Chase (04:44)
6 – Ne Yalam Soyleyeyim (02:34)
7 – For Nedim (05:18)
8 – Racine d’enneade (03:36)
9 – Berlin Paris (05:07)
10 – Le Retour d’Ulysse (07:35)
11 – Midnight For Dancing With Frien (05:00)

Duration: 47:25 | Bitrate: 192 kBit/s | Year: 2002 | Size: 68 mb

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