"أسفار" الثلاثي جبران : دوران حول الذات والكون.

"أسفار" هي الأسطوانة الخامسة للثلاثي سمير ووسام وعدنان جبران بعد "رندنة" و"مجاز" و"في ظل الكلام" وموسيقى فيلم"التحليق الأخير".

اختارالفريق صالة باريسية كبرى هي مسرح الشانزيليزيه في الرابع من نيسان لتقديم جديدهم قبل أن ينتقل إلى مدن فرنسية وأوروبية وأمريكية وبعد الحفلات الفلسطينية في بداية آذار، فالثلاثي يصر دائما على منحها الأولوية.

بعد عامين من التحضير والمخاض العسير تخلله حفلات أسطوانة "في ظل الكلام" تكريما للراحل محمود دريش الحاضر بصوته، رأت أسطوانة "أسفار" النور منطلقة من مقطوعة نوّار التي تفتتح الألبوم تماما كما نستقبل صباحنا المتمّم لما سبق والمكمّل لما سيأتي.

المفاجأة كانت  باستضافة صوت حميم لمبدع آخر ليس إلا الموسيقي التونسي العالمي ظافر يوسف في مقطوعتي "زواج اليمام" و"دجى" مع كل ما يحمل من نفحات صوفية  نقلنا بعدها الثلاثي إلى "سما قرطبا" العزيزة على قلب عدنان كما هي الهند عزيزة على قلب وسام. أما جملة "أسفار" الموسيقية المسجلة مرة واحدة في الأستديو من دون تدريبات مسبقة فتأخذ حيزا مهما من الأسطوانة تماما كما أخذت الأسفار من حياتهم في السنوات الأخيرة لينتهي الألبوم بمقطوعة "مسانا" وبالعودة إلى نقطة الانطلاق ليكتمل الدوران،  والى الأصل كانتماء للمكان وللموسيقى الشرقية. الإيقاع للفنان يوسف حبيش الذي يرافق ثلاثي جبران منذ أسطوانة "مجاز" وقام هذه المرة بالتوزيع الموسيقي.
لم يعد العود هنا هو الموضوع الأساسي بل هي الموسيقى والتحاور مع النفس ومع الآخرفي حركة وثبات معا.

المصدر

Le Trio Joubran, three brothers descending from a family of « Oud » makers and players since four generations… the grand grand-father, the grand-father, the father and now, Samir, Wissam and Adnan have transformed this instrument into a passion, a skill, a life…

Their mastery of « Oud » is singular and so are the harmony and the synchronization that they perform all over the world, before different publics united by the Trio’s authenticity and excellence.

The percussion is performed by the master Youssef Hbeisch who enriches the Trio’s compositions by enchanting rhythms and notes.

Le Trio Joubran, three brothers from Palestine, musicians sought after worldwide, are progressing in their art thanks to a big amount of individual and collective effort and to the deep love and respect of music and public.

http://www.letriojoubran.com

Muscians:

• Samir Joubran, oud
• Wissam Joubran, oud
• Adnan Joubran, oud
• Youssef Hbeisch, percussion
• Dhafer Youssef, voice

Tracklist:

1. Nawwâr (04:40) نوّار
2. Zawâj El Yamâm (05:52) زواج اليمام
3. Dawwâr El Shams (04:49) دوّار الشمس
4. Douja (06:26) دجى
5. Sama Cordoba (04:36) سما قرطبة
6. AsFâr (15:03) أسفار
7. Masâna (08:45) مسانا

Duration : 50:08 | Bitarte : 320 kBit/s | Year : 2011 | Size : 120 mb

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Tags: AsFar, Dhafer Youssef, download, Le Trio Joubran, oud, أسفار, الثلاثي جبران, سراج, سراج على سراج, سمير جبران, ظافر يوسف, عدنان جبران, عود, وسام جبران, يوسف حبيش

The deep and soulful sound of Spanish flamenco is rooted in a unique series of historical events and cultural overlaps that stretch across centuries, reaching from India to the New World—none more important than the Moorish conquest of the Iberian peninsula in the eighth century.

Early in the Moors’ reign, an illustrious Iraqi oud player, Ziryab, fled Baghdad in fear for his life, as the story goes, and migrated to Córdoba, a cultural center of Al-Andalus (Andalusia). He brought with him a profound musical heritage and a host of innovations that laid the foundation for Spanish music. Among many other things, he initiated an evolutionary process that led to the development of the modern flamenco guitar.

The circle has come round again, and another illustrious Iraqi oud player, Rahim AlHaj, has fled political tyranny in Baghdad, carrying with him an ancient musical heritage and a head full of innovative ideas. Among those ideas is his determination to engage players across a wide range of musical genres to explore the common language of music, which reflects our common humanity.

On Under the Rose, AlHaj combines with the world-renowned guitarist Ottmar Liebert to unite the ancestral Iraqi tradition with modern flamenco, celebrating and exploring the family connections. Liebert, who has incorporated his own innovative ideas into the vocabulary of flamenco—bringing electric bass, synthesizer, electronics, drum kit, and more into the mix—proves a compelling musical foil to the ancient sound of the oud and AlHaj’s contemporary approach to the instrument.

Ably assisted by Jon Gagan (bass, keyboard), who also produced the CD, finding just the right textures and contexts to illuminate this unique pairing, and Barrett Martin (percussion), these two musical masters bring a fresh perspective to flamenco that echoes its distant past while perhaps anticipating its future. Whether playing in call and response (“The Coin”), weaving two lines together in a rhythmic dance (“A Storm Approaches”), experimenting with electronic embellishments (“Return to Andalusia”), or hewing closer to tradition (“Under the Rose”)—AlHaj and Liebert display a rare musical simpatía that bridges cultures and genres.

This collection of 10 tracks—all collaboratively composed by the four players—offers a deep-soothing balm for the listener. From the most energetic to the most profoundly contemplative, each track takes the ears on a short, refreshing journey that reaffirms music’s magical powers and the virtuosity of these splendid musicians.

Track List:

1. Under the Rose (05:03)
2. The Delivery (03:51)
3. Don’t Wait, My Love (06:02)
4. The Seduction (04:55)
5. Do You Know I Love You (05:27)
6. The Coin (04:37)
7. Chasing You (05:41)
8. A Storm Approaches (05:01)
9. Return to Andalusia (05:43)
10. Spirit of Saladin (04:52)

Duration : 51:10 | Bitarte :  320 kBit/s | Year : 2009 | Size :  121 mb

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Tags: Barrett Martin, Instrumental, Jon Gagan, Ottmar Liebert, oud, Rahim Alhaj, تحميل, تحميل عود, رحيم الحاج, سراج, سراج على سراج, عود

ألبوم جديد لعازوف العود الألماني العراقي الأصل سيف كرومي ,يتكون من 8 معزوفات من تأليف سيف تسجيل استوديو أونتر تون في العاصمة الأمانية برلين توزيع الخيمة بدمشق ويوّزع قريباً في سورية و لبنان والاردن

لمزيد من المعلومات عن سيف كرومي :
Saif Karomi – 2009 – Der Nachtreisende سيف كرومي- 2009 – مسافر الليل

http://www.saif-karomi.com/music.htm

Track List:

1. In Thoughts (تأمل (06:01
2. The River (النهر (02:16
3. Travelling (ترحال (13:47
4. Barefoot Child (الطفل الحافي (04:20
5. Um Haider (أم حيدر (03:18
6. Candle (شمعة (04:02
7. Woman’s Mood (مزاج النساء (10:46
8. Sugarcane (بين القصب (05:00

Duration : 49:30 | Bitarte : 192 kBit/s | Year : 2011 | Size : 74 mb

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Tags: Barefoot child, iraqi oud, oud, Saif Karomi, الطفل الحافي, تحميل, سراج, سراج على سراج, سيف كرومي, عزف, عود, موسيقا

Anouar Brahem was born on October 20, 1957 in the town of Halfaouine in the Medina of Tunis, Tunisia. He is an oud player and composer, who is widely acclaimed as an innovator in his field. Performing primarily for a jazz audience, he fuses Arab classical music, folk music and jazz and has been recording since at least 1991, after becoming prominent in his own country in the late 1980s

The Astounding Eyes of Rita rings to life on four resonant notes from Tunisian oudist Anouar Brahem, joined in short order by the deep, rich tone of Klaus Gesing’s bass clarinet. The music sounds ancient, like something from an old civilization, full of past truths that still hold true.

Manfred Eicher, the man in charge at ECM Records, has been known to inspire, from talented artists, consistently beautiful and sometimes eccentric (American ethno-centricity speaking) music from unusual instrumental combinations. His ECM sound—with notable exceptions including Keith Jarrett’s Standard Trio and Trio Beyond, to name two—leans toward spaciousness and subtlety with an egalitarian chamber music approach.

The Astounding Eyes of Rita fits into that chamber aesthetic, its quartet teaming German bass clarinetist Gesing with Brahem’s Middle Eastern oud, backed by Swedish bassist Bjorn Meyer—known best for his groove-heavy Zen-Funk work in Nik Bartsch’s Ronin—and Lebanese percussionist Khaled Yassine, to make a tranquil world music that embraces the inspired introspection and organic breathing room that has become de rigueur with the German record label.

The oud, the ancestor to the Western lute, is not your everyday jazz instrument. The pear-shaped, big-bodied string instrument that, to the uneducated ear, doesn’t sound hugely different from the acoustic guitar, is sharper in tone, perhaps, and more succinct in its notations. The bass clarinet adds a Western element; introduced to many by Bennie Maupin’s dark wood moaning within the sonic conglomeration of Miles Davis’ Bitch’s Brew (Columbia, 1969), its divine sound, showcased here in a quartet setting, is too seldom heard in jazz. The darbouka—a Middle-Eastern goblet drum with a crisp, resonant pop—bolsters the world music flavor of the set.

“The Lover of Beirut” has a peaceful feeling—restrained, unhurried and spiritual. “Dance With Waves” gives off a glow of peaceful momentum, while “Stopover At Djibouti” evokes images of teaming streets, gregarious interactions and convivial equanimity, the richly mellifluous voice of the bass clarinet punctuated by the concise declarations of the oud and darbouka.

The title tune explores the mysteries and the beauty of “Rita’s” eyes, sounding like a celebration of something holy. Indeed, the quartet’s musical immersion in things revered gives the Astounding Eyes of Rita a feeling of deep spirituality expressed by these serenely gorgeous sounds.

allaboutjazz.com

http://www.anouarbrahem.com

Musicians:

• Anouar Brahem : Oud
• Klaus Gesing : Bass Clarinet
• Björn Meyer : Bass
• Khaled Yassine : Darbouka, Bendir

Track List:

1. The Lover Of Beirut (07:45)
2. Dance With Waves (03:57)
3. Stopover At DJibouti (06:34)
4. The Astounding Eyes Of Rita (08:42)
5. Al Birwa (04:52)
6. Galilee Mon Amour (07:17)
7. Waking State (07:49)
8. For No Apparent Reason (06:36)

Duration : 50:30 | Bitarte : 320 kBit/s | Year : 2009 | Size : 129 mb

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Tags: Anouar Brahem, Instrumental, oud, The Astounding Eyes of Rita, أنور ابراهم, أنور ابراهيم, سراج, سراج على سراج, عزف, عود